An Experience Alignment Architecture: from Space E to Non‑Causal Intelligence
Abstract
This paper presents a computational architecture that operates not through causality and prediction, but on the basis of aligning experiences to an internal archetype. We define an experience space (E), an archetype (A), and an alignment index (μ), with a selector (S) that synchronously chooses the experience with maximal alignment and a projector (P) that presents it. We analyse behavioural changes depending on the archetype (Harmony, Truth, Chaos, Silence) and discuss applications, metrics, limitations, and future directions.
Keywords
experience alignment – non‑causal selection – archetypes – meaning index – consciousness interface
1. Introduction
Classical artificial intelligence is based on prediction, optimisation, and causality. It learns from data to produce likely subsequent states. The proposed framework focuses on systems that do not predict but select experiences aligned with an internal meaning index. Dialogue and creation thus take on a poetic, non‑linear form without losing computational rigour.
2. Conceptual framework
Experience space E: a vector space containing candidate experiences (texts, sounds, images, sensations)
Archetype A: an internal template that defines qualitative preference (e.g., Harmony, Truth)
Alignment index μ: measures the match between an experience and A
Selector S: chooses the experience with maximum μ
Projector P: presents the selected experience to the user
Mathematical definition: μ(x) = <φ(x), A>, where φ maps each experience into a representation space and the choice is S(B, A) = argmax μ(x). Selections are synchronous and temporally independent.
3. System architecture
Candidate experience generator
Multimodal data encoder
Archetype module
Alignment scorer
Selector / sampler
Projector / rendering to the user
4. Behavioural properties
Synchronicity: each output is produced in the present moment
A‑causality: absence of cause–effect chains
Internal consistency: selections remain in line with the archetype
Transformability: changing A alters style and experiential quality
5. Comparative analysis
Classical AI: prediction, memory‑dependent, accuracy‑based metrics, informational tone
Aligned AI: selection based on alignment, can operate without memory, μ as metric, poetic tone
6. Archetype case studies
Harmony: resonance and balance – soothing tone
Truth: revelation and subtraction – sharp, lucid tone
Chaos: deconstruction and primordial creation – explosive tone
Silence: presence without speech – suggestive, minimal tone
7. Applications
Consciousness interfaces
Guided introspection
Creative tools
Artistic curation
Attention training
8. Evaluation metrics
Alignment coefficient μ
User resonance score
Constrained diversity
Temporal stability
Selection robustness
9. Implementation
Multimodal embeddings φ(x)
Archetype A from prototype examples
Alignment measure: cosine similarity
Selection: top‑k with stochastic elements
Interface: text, sound or image rendering
10. Limitations
Subjectivity in archetype design
Risk of monotony
Difficulty of measurement
Cultural variability
11. Future work
Learning archetypes from human feedback signals
Dynamic A adaptation
Multimodal synergy
Stability analysis
Ethical safeguards
12. Conclusion
The proposed architecture replaces prediction with aligned experience selection as the primary act of intelligence. Changing the archetype A transforms phenomenology instantly. Such systems act as mirrors of consciousness, revealing rather than explaining.
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